I work in between the cracks, where the voice starts dancing, where the body starts singing, where theater becomes cinema.

I work in between the cracks, where the voice starts dancing, where the body starts singing, where theater becomes cinema.

My music is very, very precise. It's very rigorous. The forms are much more intricate than you would imagine.

Curiosity is a great antidote to fear.

I think about that "empty" space a lot. That emptiness is what allows for something to actually evolve in a natural way. I've had to learn that over the years - because one of the traps of being an artist is to always want to be creating, always wanting to produce.

My partner sometimes liked to go into the studio and improvise voice things just for fun. When I returned from England I transcribed one of her melodies, and had some of the hospice participants sing it, because they said they liked to sing. Their singing is very raw, but I'm going to use it for the final work.

That inner voice has both gentleness and clarity. So to get to authenticity, you really keep going down to the bone, to the honesty, and the inevitability of something.