Well, she's so alive, Julia Child. And Margaret is so - is so designed. She's so intent upon making her point. That's the most important thing, is that she win the argument, and there is nothing that stands in the way of that train, you know. But Julia's just alive in front of you. That's part of why people loved her. They lived it with her. They breathed it with her. And the mistakes were all part of it.
Meryl StreepIn my own life, I have noticed when I have been meeting directors, that the same sentence with the same inflection can be said by a man, like: "Get me this." But if the same thing is said by a woman, it's seen as harsh and unacceptable. That always fascinates me.
Meryl StreepPeople will say to me, โYouโve played so many strong women,โ and Iโll say, โHave you ever said to a man, โYouโve played so many strong men?โโ No! Because the expectation is [men] are varied. Why canโt we have that expectation about women?
Meryl StreepI've thought a lot about the power of empathy. In my work, it's the current that connects me and my actual pulse to a fictional character in a made up story, it allows me to feel, pretend feelings and sorrows and imagined pain.
Meryl StreepYou didn't have to work to keep your fear up, your energy up, or your anxiety. It is all kind of built into the process.
Meryl StreepWell, it has to do with very deep things, because it might be that imagining yourself as a girl is a diminishment. But it is something that when I made "The Devil Wears Prada" it was the first time in my life, 30 years of making movies, that a man came up and said I know how you felt. I know how you felt. I have a job like that. People understand.
Meryl Streep