Sometimes you look out the window and you look at all the windows, and think inside very single one of them is somebody with some huge, weird, terrible problem, some great jokes.

I've thought a lot about the power of empathy. In my work, it's the current that connects me and my actual pulse to a fictional character in a made up story, it allows me to feel, pretend feelings and sorrows and imagined pain.

I think we reserve a special place in our hearts for women who dare to try and be powerful, or occupy a special elevated place in society or when they are 'the bosses'. I think we really don't like it as a society and we have a harsh view of them. We look much harder at them, than the millions of men who aspire to the same positions and I can't figure that out.

I have a theory that movies operate on the level of dreams, where you dream yourself.

For young women, I would say don't worry so much about your weight. Girls spend way too much time thinking about that, and there are better things. For young men, and women, too, what makes you different or weird-that's your strength. Everyone tries to look a cookie-cutter kind of way, and actually the people who look different are the ones who get picked up. I used to hate my nose. Now I don't. It's OK.

Wrinkled, wrinkled little star... hope they never see the scars.

Well, she's so alive, Julia Child. And Margaret is so - is so designed. She's so intent upon making her point. That's the most important thing, is that she win the argument, and there is nothing that stands in the way of that train, you know. But Julia's just alive in front of you. That's part of why people loved her. They lived it with her. They breathed it with her. And the mistakes were all part of it.