Some people hold themselves above the fashion business but are still complicit and fall prey to it.

And it interferes with your ability to be a good actress if you're constantly aware of yourself as a person. To me, it isn't valuable to think about how I'm coming off all the time if I'm trying to create a character, because that's a process that I love. It's like falling in love and surrendering to another person or a character.

Without question, of the heterosexual men that I've spoken to over the years, that's usually - they say, you know, my favorite thing you've ever done was Linda or Sophie. And they were a particular kind of very feminine, recessive kind of personality. So they fell in love with her, but they didn't feel the story through her body.

When I was in - at Vassar, and I came from a public high school in New Jersey, there was - that class still existed. I think it's pretty much gone, but there was a way of talking that the private school girls had that was different than the way I talked from New Jersey.

There are improbable things suspended in space, like the earth.

They were showing clips from my earlier films. All I could see was this beautiful young woman who was anxious about whether she was too heavy or if her nose was too big. I felt like saying to her, 'Just relax and it will all be OK.

Yeah, I did need a lot of breath [to play Margaret Thatcher]. I needed much more breath than I have, after all of my expensive drama school training. I couldn't keep up with her.