We don't like to talk about that in America, but there are classes in America. And she [Julia Child] was of a class of women who were wealthy, privately educated, went to Smith, moved in that sort of circle. She was conscripted into the OSS, which is the early CIA, which was all filled with Yalies and Princeton and Harvard people and a few women who were typing mostly but also had something to do.

This is your time and it feels normal to you, but really, there is no normal. There's only change and resistance to it and then more change.

As there begins to be less time ahead of you, you want to be exactly who you are, without making it easier for everyone else.

I'm all over the place.

Acting is being susceptible to what is around you, and it's letting it all come in. Acting is a clearing away of everything except what you want and need - and it's wonderful in that way. And when it's right, you're lost in the moment.

You know, you're not aware of it, but you're following the action of the film through the body of the protagonist, you know? You feel what he feels when he jumps, when he leaps, when he wins, when he loses. And I think I just took it for granted that, you know, we can all do that, but it became obvious to me that men don't live through the female characters.

Motherhood has a very humanizing effect. Everything gets reduced to essentials.