We are the choices we have made.

How do I do that preparation [for film]? Just an immersion. I have a musician's, I guess, ear for the sound of the voice but it's also important to me, in the case of [playing] someone who is controversial, to get the outlines of the character right because how they present themselves to the world has a great deal to do with how people feel about them.

You have to embrace getting older. Life is precious, and when you've lost a lot of people, you realize each day is a gift.

It's so much easier to be happy. It's so much easier to choose to love the things that you have, instead of always yearning for what you're missing, or what it is that you're imagining you're missing. It is so much more peaceful.

It's amazing what you can get if you quietly, clearly and authoritatively demand it.

I never look a gift horse in the mouth. And I've been really, really lucky. I'm aware of that. And my career has been given to me by the people I've worked with, no question. The actors, the directors, the cinematographers, the writers, all of whom gave me the opportunity to work in the way that I have and I'm really grateful.

We don't like to talk about that in America, but there are classes in America. And she [Julia Child] was of a class of women who were wealthy, privately educated, went to Smith, moved in that sort of circle. She was conscripted into the OSS, which is the early CIA, which was all filled with Yalies and Princeton and Harvard people and a few women who were typing mostly but also had something to do.