I think dancing is contributed hugely to how I am as an actor, just a level of comfort in my body and in movement. Things can become strangely physically technical when you're acting, and often something that just feels so unnatural is actually what you need to do in a certain scene.

The wardrobe is always the last piece of the puzzle. When you step into the clothing, that's the final step to figuring out that character.

I'm a huge sucker for comfort.

Coming from dance, I feel acting is - I'm not going to say easy, because it's not. But the dance world is more hard-core.

One of the producers, Wonjo, was an amazing interpreter. I don't think we really knew how it was going to work at the beginning. Yet it was something that a couple of days into it seemed so seamless and it wasn't something that we noticed or thought about. A couple of times I cornered him and forced him to speak English but we didn't speak much English at all. That said, I don't think anything was ever lost in translation. It was all very easy.

I come from a background of independent films.

Any time you get a role that's a young person, that resembles what it's like to be a teenager, I always kind of jump at it.