I always start a film thinking I know how to do it, then I learn all over again.

Photography, for me, is something I can control fully. It's wholly my own expressions.

Doing an accent removes you from yourself and reminds you, every instant, that you're playing a part.

When I got onto set with him we were given a folder of storyboards. I thought that was pretty incredible because I hadn't worked with anybody who used storyboards before so he obviously had a very precise way as to how he visualized the film from the very beginning. It was every scene, but to his credit he was incredibly collaborative and gave us many opportunities to have our own input and to change things with him, so it was a really great way of working.

It's really rare to get a teenage role that resembles something of what it's like to be a young person, that isn't a cliché or a stereotype.

I get restless easily so I always want to keep working, but I am trying to pace it as well.

It's hard to tell what people realize. Everybody's different and has a different understanding of the difference in times.