I always start a film thinking I know how to do it, then I learn all over again.

The wardrobe is always the last piece of the puzzle. When you step into the clothing, that's the final step to figuring out that character.

I want to just do my job and do it well.

Although I'm not particularly troubled myself, I do have a lot of empathy for troubled characters.

One of the producers, Wonjo, was an amazing interpreter. I don't think we really knew how it was going to work at the beginning. Yet it was something that a couple of days into it seemed so seamless and it wasn't something that we noticed or thought about. A couple of times I cornered him and forced him to speak English but we didn't speak much English at all. That said, I don't think anything was ever lost in translation. It was all very easy.

I'm a huge sucker for comfort.

I think it's really important for actors to have another creative outlet, or for anyone, really.