It's hard to tell what people realize. Everybody's different and has a different understanding of the difference in times.

I used to love ballet and I did it really, really intensely. But it came so much about achieving physical perfection, which when I was 14 was a big deal.

When I got onto set with him we were given a folder of storyboards. I thought that was pretty incredible because I hadn't worked with anybody who used storyboards before so he obviously had a very precise way as to how he visualized the film from the very beginning. It was every scene, but to his credit he was incredibly collaborative and gave us many opportunities to have our own input and to change things with him, so it was a really great way of working.

It's always nice to work with someone you have a history with. It just makes it easier to click back into that dynamic and have a lot of fun.

I got the first thing I auditioned for - a guest role on two episodes on 'All Saints,' and I don't think I had ever been that excited.

I like my anonymity - that when I meet people they don't know me.

I always collect a bunch of images for every film that I do, that reminds me of an essence of the character, or the time that they live in, or what they're experiencing.