Ballet has really helped me in every acting role. You have to be very disciplined, you have to be able to control your nerves and perform under pressure, and all those things you have to use in acting when you're on film or going for an audition.

Everybody who is an actor has been acting since they were three.

Director Park always talked to me about her in a very innocent way, that the story was of her coming of age and her sexual awakening and her going from girl to woman and that she had the same desires and hopes as other young people in terms of being very infatuated, which comes in the form of her uncle, which is very unconventional.

I like to be absorbed in what my character's doing.

It's always nice to work with someone you have a history with. It just makes it easier to click back into that dynamic and have a lot of fun.

I think that dancing has helped or prepared me, in a number of different ways, for the film industry, especially with controlling your nerves when you walk into an audition because you're on stage from a young age.

You never choose the way that you're raised, it's just the way that you were raised, but you do get to a certain age where you're in a position to question the expectations of you and the way that you've been formed by your surroundings.