It's always nice to work with someone you have a history with. It just makes it easier to click back into that dynamic and have a lot of fun.

It's always nice to work with someone you have a history with. It just makes it easier to click back into that dynamic and have a lot of fun.

There's a whole language to movement and how you embody someone, and how you can use different techniques for different characters. I guess just posture, and the way you walk, and the way you physically are. All of that says a lot about who someone is.

Director Park always talked to me about her in a very innocent way, that the story was of her coming of age and her sexual awakening and her going from girl to woman and that she had the same desires and hopes as other young people in terms of being very infatuated, which comes in the form of her uncle, which is very unconventional.

It was good but it was just a tiny bit uncomfortable because it was a day of lying in the bushes and I think I got a major muscle thing going on there! But it was good. It was fun. That is one of the things you get to do in film that you don't do, or that I don't do, in real life. I can't speak for Dermot [Mulroney]! But it was fun.

I always start a film thinking I know how to do it, then I learn all over again.

It's hard to tell what people realize. Everybody's different and has a different understanding of the difference in times.