One of the producers, Wonjo, was an amazing interpreter. I don't think we really knew how it was going to work at the beginning. Yet it was something that a couple of days into it seemed so seamless and it wasn't something that we noticed or thought about. A couple of times I cornered him and forced him to speak English but we didn't speak much English at all. That said, I don't think anything was ever lost in translation. It was all very easy.

I've had a great experience with pretty much everybody I've worked with.

Dancers are kept in a perpetual state of pre-puberty, and for young girls in particular, that type of pressure breeds insecurities.

I was a bit of a loner as a teenager. I never went to a single social event, because they terrified me.

It's always nice to work with someone you have a history with. It just makes it easier to click back into that dynamic and have a lot of fun.

Director Park asking that if there was a pocket on one side of the piece of clothing then there should be a pocket on the other side. They were a little uncomfortable to wear, yes, because there were a lot of tight, high-waisted things so it was great at the end of the day to slip into some pajamas!

I read a lot of books. So, usually when I go home I try to re-charge my batteries and absorb new stories to become inspired again.