One of the producers, Wonjo, was an amazing interpreter. I don't think we really knew how it was going to work at the beginning. Yet it was something that a couple of days into it seemed so seamless and it wasn't something that we noticed or thought about. A couple of times I cornered him and forced him to speak English but we didn't speak much English at all. That said, I don't think anything was ever lost in translation. It was all very easy.

The independent films are really where I kind of come from and where I feel comfortable. It's never been about the blockbusters and making a huge tonne of money. It's always been about wanting to do projects about the things that I think are important to be out there.

Acting really suited me because I could connect as an actor to emotion.

You are relying on a waiting on other people in acting and films, so to be able to have something that I have full creative control over is really very therapeutic.

I hate the feeling when I'm overseas, away from Australia, that I'm trapped, blocked by an ocean from getting to the people I love. That gives me anxiety.

I really like trying to find the roles that are actually really meaningful to me.

Just wearing the corset means that you can never really relax from the moment that you put it on. So, there's a constant sort of strain and you have to hold yourself in a certain way. It's very uncomfortable. But again you instantly understand the repression that women feel and how much they were captives. It's sort of sad really.