My collaborations have to be very positive. I will never work with a person I fight with.

I have a lifetime project which consists of boxes and boxes filled with envelopes on which people have written my name. I've always thought of it as a kind of double portrait, and a portrait of our relationship, which in some cases means nothing. But it makes me feel connected.

Doing a job well is the thing. It's its own thing.

Sometimes being an artist is a real drag. It can be incredibly bureaucratic.

I carry a knife with me so I can cut images out of cardboard boxes. I'm always cutting cardboard. Especially every Thursday, which is recycling day.

Maybe I don't think I'm touching people, but I am. Sometimes I'm sitting there at three in the morning, proofreading something, and I'm thinking, Is this really worth it? Or am I doing this only because my mother taught me never to give up? Then you realize, no, even if it doesn't come back to you, you are touching people.

I like the authentic object, and I have no problem paying sixty dollars for a T-shirt if it fits me really well and it's really well made. I like unassuming clothes.