I think someone who writes a ghost story probably needs to believe it in some way.

When the kids were growing up, I think they thought the worst thing about me being a mom is that I would laugh at them. They would say something that they thought was serious and intense and I would laugh. I thought it was funny, but they don't want to be laughed at.

I don't make fun of my characters. I just like to laugh and I think people are funny and the world is funny.

My natural tendency is to fall in love with language and character and setting, and kind of forget about pacing. Narrative tension doesn't come naturally to me, and if it does feel fast-paced that makes me incredibly happy.

I've heard a lot of editors and agents say, "If the book is good, it will get published." I totally disagree with that.

Writers like Twain, Whitman, Dickinson, Melville, Louise Erdrich, Toni Morrison, Russell Banks, Carolyn Chute, Alice Walker, so many others that I read coming up as a writer, that helped form my ideas of what it means to be American - and an American writer. I'm always in conversation with them.

When I was in college, I had a friend who was an artist and her theory was that all the best art in the world is funny/sad. That was her favorite genre. Funny/sad are probably my two favorite tones.