So I do tend to do documentaries where I can move in and out of them.

I'd always wanted to do something about the Second World War, but I didn't want to do another combat film, whether it was air, land, or sea.

Now that I can edit the whole thing on AVID and edit the whole thing on tape, maybe I will do the next digitally, because maybe the quality will become less obvious between tape and film.

When I joined Granada - which, you don't want to start crying about these things, but Granada was a very, very hot place to be, it was my good fortune to be there at that time - the BBC was firmly asleep.

He wasn't, but producers are by definition annoying because they have a different agenda from you. They're trying to stop you spending money and you're trying to not spend money, but at the same time we're great artists.

I've never much been interested in doing films that no one gets to see.

So I do tend to do documentaries where I can move in and out of them.