How do you design it so that people can form a space of their own, and feel quiet and contemplative?

I love New York, but I'd felt like an outsider here.

For two years nobody talked about anything other than the name arrangement. There was no fund-raising and no progress being made on construction and design.

New York was a place I wanted to live and work all along. If I wasn't going to live in Israel, I had to live in New York.

I built a series of supporters that had my back. I never abused that trust. You can't cry wolf. You have to solve most problems yourself.

I really appreciate artists of the 20th century, and I can see a lot of their influence on my work, but to suggest that my design only fits within an 'ism' kind of bothers me.

There are bound to be differences in any artistic collaboration with landscape elements, or theater, of lighting elements.