I hope for the experience of people standing together, turning their backs to the city and facing this, and hearing the leaves rustle. Well, maybe it won't be as bucolic as at the Brooklyn Navy Yard, but I know you will feel removed from the city.

When I was in the Army, the unit I served in, you could never stop. It was a volunteer unit, and there was a fairly high rate of attrition. The people who stayed through are the people who were either great at it or the people who just didn't know how to stop. And I fell into that second category.

I really appreciate artists of the 20th century, and I can see a lot of their influence on my work, but to suggest that my design only fits within an 'ism' kind of bothers me.

I hope for the experience of people standing together, turning their backs to the city and facing this, and hearing the leaves rustle. Well, maybe it won't be as bucolic as at the Brooklyn Navy Yard, but I know you will feel removed from the city.

There are bound to be differences in any artistic collaboration with landscape elements, or theater, of lighting elements.

It sounds really over the top to say you're responsible for the city of New York, but I do feel responsibility to the city of New York, to this country, to people everywhere. So many people were affected by the events of September 11, and I feel this is one of the ways that that event will be understood and defined.

I love New York, but I'd felt like an outsider here.