I definitely want to direct. This is just another learning experience for me, to get a chance to hear the questions and concerns the directors have, some of their fears. It's a team sport. You have to give everybody what they need so they are able to perform at their best.

I'm extremely blessed. There's a lot of people trying to exactly what I'm doing, but I'm a part of that 9.1 percent that's actually having their dream come true. I just don't take that for granted.

I really want to have a really, really strong, one-sided opinion on something, and be connected to it and tell that story. Until I find that thing or that topic or whatever it is, I don't want to direct.

You see somebody like me, as young as I was at the time, driving around the inner city of Newark, and to them [police] it doesn't make sense. I've been illegally searched [and had] my car illegally searched. [I've] been handcuffed for no reason. You get in enough of those situations.

I think everyone starts in the mailroom at some point! It's a right of passage. Your boss has to throw something at you and order you around for at least two years.

For AXE to take a chance on me and to help me, you know, collaborating with them was just a really, really big deal for me. It shows that they bought into me and vice versa so it's a good relationship.

When I hear people comparing Mike's [Jordan] work to Denzel [Washington] I think it's amazing.. Because Denzel is such an amazing, textured actor. And I think that that comes with Mike too. I'm not thinking about how they look, though; I'm thinking about what they're able to accomplish.