Do you know what directors go through? It's just hell. Like, why do I work so hard - to think I'm only going to see this movie five times and then never see it again 'cause I'm so sick of it? What is it worth, honestly?

I'm one of the few directors that actually shoots a lot in camera.

I go out there to win. People don't care if you die in this business. The only way I get back is with success.

You get the most 3D effect when it starts about three to four seconds, that's when it starts feeling 3D. And then what you do, quick shots are always flat.

I don't ever want to do a movie where you shoot it on a motion capture stage. I just don't like taking the reality out of it. I like being on the set in real environments. I don't like shooting on green screen. I think it gives the actors so much more to play with when there's real stuff happening on the set.

Why isn't everything exploding?!

Some nights I sleep like a baby. Other nights it's, Oh God, I just came up with a bomb shot.