You'll hear people say now, 'Oh, I don't want to see something in 3-D. That's wrong, because what they've seen is 3-D done poorly.

You get the most 3D effect when it starts about three to four seconds, that's when it starts feeling 3D. And then what you do, quick shots are always flat.

Its... a hard thing for a director, to think you came up with a shot, something from your mind, and someone died while doing it. Its the worst thing youll ever have to live with. It was very hard for me to get back on the horse again.

I can be very reserved about things. My business side isn't shy. I can be like a general. But I've got a shy side. I'm also a lot deeper than people think, and a lot more sensitive. But I don't let people in too much.'

Why isn't everything exploding?!

What I look for in a script is something that challenges me, something that breaks new ground, something that allows me to flex my director muscle. You have got to think fast in this business, youve got to keep reinventing yourself to stay on top.

There are many movies that have done it very badly. The studios have gone for quick profits and audiences are feeling angry. People aren't taking the time and spending the money to do it right. I am.