I get to study and I got to mimic and what I basically did was I stole from every person that I could steal from. I was an imitator. That's what I was. It was years before I could take all of these things that I loved about all of these different artists and put them together and find my voice.

Jazz is like a great blues band that fell down the stairs

I'm not a jazz musician, because, I mean, firstly, I can't play anything. I'm not bad on the tamborine. I have a certain way with the triangle. But I'm not a jazz musician ... my band, they always joke, they always say that I'm a disposable, pop, jazz superstar.

I can't sit and compare my trouble to Brian Wilson but I came from a blue-collar family of fishermen. Music was an escape and a way for me to dream of better things and a better place to be. Let's just say I was an insecure, scared kid.

I brought in producer Johan Carlsson [Ariana Grande, One Direction, Flo Rida] and asked, "Can you make this better?" And he did.

It's human nature and one day maybe 20 years from now some young kid will come up and people will tell him "my God, you are like a young Michael Bublé. It happened to Harry Connick Jr with the Sinatra thing and now people are saying to me that I am the new Harry Connick Jr. It is a natural thing. I remember hearing interviews with Harry Connick saying "I am not Sinatra, leave me alone, I am different". It's a small thing to deal with.

As I look back, I understand what [the record company] was getting at. They were trying to market a record and make it as commercially acceptable as possible. It hurt me and my credibility with critics.