The American cinema in general always made stories about working-class people; the British rarely did. Any person with my working-class background would be a villain or a comic cipher, usually badly played, and with a rotten accent. There weren't a lot of guys in England for me to look up to.

You cannot have one bathroom. And it don't matter how much you love your wife and everything, 'cause you wind up with no room at all. You just get a little corner and you've got a toothbrush and your paste and a shaving brush and a razor. And you can never get in there. So you must have two bathrooms. You really must. I think it's essential.

I didn't want to come in the movie every so often, every 20 minutes saying, 'Dinner is served, would you like coffee?'

I was watching cartoons on television and a commercial came on for one of the Batman series where I played a butler. And then my grandson looked up at me and he said, "Do you know Batman?" I said, "Yes." He said, "Really," I said, "Yeah." I said I know him very well. And he told all the boys at school, he said, "My grandpa knows Batman. Does your grandpa know Batman? OK, no. Mine does.

I'm every bourgeois nightmare - a Cockney with intelligence and a million dollars.

I heard my first laughter on stage, when I was about 10 years old. It was gold pantomime and I remember I was playing Baron Fitznoodle, who was the father of the ugly sisters in "Cinderella." And I walked on and got a great big laugh and I thought that was fantastic, until I looked down and found that my flies were open. And so I always check my flies. I even check my flies on radio.

If you go away on location for three months and your wife stays at home, you've made a whole new load of friends and she's made a whole new load of friends and you get home and you're kind of strangers.