The American cinema in general always made stories about working-class people; the British rarely did. Any person with my working-class background would be a villain or a comic cipher, usually badly played, and with a rotten accent. There weren't a lot of guys in England for me to look up to.

I don't want to be an English actor doing the greatest American accent you've ever heard. I want to be an American doing nothing.

I was so poor for so long that I didn't use anything. I didn't drive cars, I didn't eat very much. So, I figured the world owed me a debt, so I've been eating very well and have had a very big car for a long time. But I still haven't caught up with my youth.

I was in Korea. I've noticed all my life I see elderly people who have been close to death in an illness and they're absolutely cured and they say, now I know how to live my life. I've seen death. That happened to me when I was 19. It was a terrible, terrifying thing. And I live my life like those people decided to do when they were old. So, since I was 19, I've had the most fun possible every single day, even when I had a rough life. It was the army which taught me about life, and the theater which taught me how good it could be.

Anyone can write. But comedy, you've got to do some writing. You get one comedy script to every 20 dramas.

I can never be the hero now. You have to be young and all that stuff. I used to be the hero.

I am often asked which of my films has come closest to my own ideal of performance, and I always answer, 'Educating Rita.'