The trick [in comedy] is always to figure out how real you're playing it and how real it's supposed to feel. That's a hard thing to figure out.

I don't think anyone cares whether you're working or not. I have the luxury now of not having to support anyone and not really needing a whole lot of money.

Every choice you make as an actor ends up being really influential on your life, because you're spending a lot of time working on this project, and you want to make sure you're making good choices and you're not making them for the wrong reasons. I just want to be careful and not jump into anything.

If you want to be treated like adults then start acting like them.

You try to pick good stories, and that's pretty much all the control you have as an actor.

I turned down the lead role in Wall Street: Money Never Sleeps, because that idiot Oliver Stone didn't think the character should play the alto sax.

My father works for Xerox and fixes those gigantic copy machines that are about 10 feet wide.