I know, speaking for myself, no matter what I'm able to do, no matter what book comes out and ends up on paper, I always had something bigger and grander in my head.

I don't have any regrets, really, except that one. I wanted to write about you, about us, really. Do you know what I mean? I wanted to write about everything, the life we're having and the lives we might have had. I wanted to write about all the ways we might have died.

..this indiscriminate love feels entirely serious to her, as if everything in the world is part of a vast, inscrutable intention and everything in the world has its own secret name, a name that cannot be conveyed in language but is simply the sight and feel of the thing itself.

A writer should always feel like he's in over his head

. . . he felt himself entering a moment so real he could only run toward it, shouting.

Man," he said, "I'm not afraid of graveyards. The dead are just, you know, people who wanted the same things you and I want." "What do we want?" I asked blurrily. "Aw, man, you know," he said. "We just want, well, the same things these people wanted." "What was that?" He shrugged. "To live, I guess," he said.

It's the city's crush and heave that move you; its intricacy; its endless life. You know the story about Manhattan as a wilderness purchased for strings of beads, but you find it impossible not to believe that it has always been a city; that if you dug beneath it you would find the ruins of another, older city, and then another and another.