People are more than you think they are. And they're less, as well. The trick lies in negotiating your way between the two.

Like my hero Virginia Woolf, I do lack confidence. I always find that the novel I'm finishing, even if it's turned out fairly well, is not the novel I had in my mind. I think a lot of writers must negotiate this, and if they don't admit it, they're not being honest.

There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more.

You cannot find peace by avoiding life, Leonard.

How we dress is, as far as I can tell, the only inescapably public choice that we have. People don't need to know what you eat, people don't need to know who you have sex with. But there's no escaping what you wear and the fact that you've chosen it. Even if you insist that you don't care about fashion, that's your statement. It's really one realm of life where you are forced to make your own statement.

You have started the book with this bubble over your head that contains a cathedral full of fire - that contains a novel so vast and great and penetrating and bright and dark that it will put all other novels ever written to shame. And then, as you get towards the end, you begin to realise, no, it's just this book.

A stray fact: insects are not drawn to candle flames, they are drawn to the light on the far side of the flame, they go into the flame and sizzle to nothingness because they're so eager to get to the light on the other side.