She could have had a life as potent and dangerous as literature itself.

He insists on a version of you that is funnier, stranger, more eccentric and prfound thatn you suspect yourself to be--capable of doing more good and more harm in the world than you've ever imagined--it is all but impossible not to believe, at least in his presence and a while after you've left him, that he alone sees through your essence, weighs your true qualities . . . and appreciates you more fully than anyone else ever has.

He wanted to tell her that he was inspired and vigilant and recklessly alone, that his body contained his unsteady heart and something else, something he felt but could not describe: porous and spiky, shifting with flecks of thought, with urge and memory; salted with brightness, flickerings of white and green and pale gold; something that loved stars because it was made of the same substance.

A certain slightly cruel disregard for the feelings of living people is simply part of the package. I think a writer, if hes any good, is not an entirely benign entity in the world.

I encourage the translators of my books to take as much license as they feel that they need. This is not quite the heroic gesture it might seem, because I've learned, from working with translators over the years, that the original novel is, in a way, a translation itself.

Love is deep, a mystery - who wants to understand its every particular?

You grow weary of being treated as the enemy simply because you are not young anymore; because you dress unexceptionally.