It's the sad fact of how race still works in our country. We find that over and over again.

Maybe there's even anger. But if they make it through that they come to a new agreement, and they start creating a new culture, and it becomes something that people just - a lot of times they'll say, "I couldn't live without it. I just have to be there."

I really do think that every time you play a role well, you are in danger of being identified with that role until the next big thing comes along.

Humor is so culturally based that when I try to tell a joke as me being a white American, if I tell other white Americans, they'll laugh. If I tell an African American, they might not laugh. In fact, they either might not find it funny, or they might find it offensive, and I didn't mean it to be offensive. So these are the sort of little things that build up over time, just like in a marriage. You know, the little things can build up over time.

There are three things, and it depends on the group that we're talking about, but there's history, there's culture, and then there's social networks. So, you know, historically black and white, they worship together until about the end of slavery, and people started moving out into separate churches. But it was because of discrimination and racism and such that blacks began to establish their own denominations and their own churches.

One of the things I like about performing on the stage is that it is a kind of meditative experience. Time does stand still. You have no concept or feeling of the passing of two or three hours' time. It's all kind of one present moment, which is a kind of a description of meditation.

It's the sad fact of how race still works in our country. We find that over and over again.