In your actor's heart, you know when you're playing well. Others may not always agree with you, but I'm always aware of when the scene is cooking or not. You have an instinct about that from years of doing scenes and plays, and I think it stands you in good stead even in the TV world.

We just say there are five, you know, racial groups in the US. I say that these folks are what we call a sixth American. There's something different. They are somebody who - they don't exist in any particular racial category, so they all feel it and they kind of congregate to each other.

I've been blessed by doing classic plays on Broadway, which was one of my great dreams forever.

But in the US, when you have two separate cultures, each with its right, each of which has come to exist in this political entity in the last couple hundred years, each feeling like, "I have the right to hold onto my culture," and that's what makes it difficult.

There's always that sense of because we're so racially defined, if you're trying to cross the boundaries you don't fit into any particular space.

I certainly think so, and I argue so, and I give talks on that. Are there risks by putting people together? Absolutely. Is there value in the black church? Absolutely. Is there value in having immigrant churches? Absolutely. But if we don't have congregations gathering with people of different races, what we're doing is we are redefining racial division, a racial inequality.

But what we found in the study is that churches are ten times less diverse than the neighborhoods they sit in. So there's something more going on than just reflecting the neighborhood, yeah.