So the tradition from Europe is that you're supposed to emphasize the mind over the body, so you sing from a very kind of staid perspective. Again, there are charismatic white congregations all over, and they don't sing that way. But, you know, on the average.

There are roles that are terrifying because they're large or you may feel that they're out of your line, but I'm never terrified once the actual work begins. Once you begin rehearsal, then it's small building blocks. It's solving little problems one at a time.

But what we found in the study is that churches are ten times less diverse than the neighborhoods they sit in. So there's something more going on than just reflecting the neighborhood, yeah.

And then they would have the shoe removers on one side, and the non-shoe removers on the other side until they could work through coming to understand why we might both be trying to worship authentically, and because of our cultural background we have these different ideas. But it took a while.

There's one denomination in particular, though, that has pushed very hard to be multiracial in its denomination - not only its denomination but, I mean, in its congregations, and it's called the Evangelical Covenant Church, http://www.covchurch.org/ which is headquartered in Chicago. Their whole goal is that's the kind of churches they start, multiracial, and I think they say now 20 percent of their churches are that.

I think people respond to villains because people in general are more villainous than heroic.

I think of myself as a problem-solver. I want to go in and help the director and the writer to get the best they can out of the text they're working with.