There's a lot of life there, but it's a different sort, because there's a lot less immigrants and a lot more racial, the mix of black and white in particular. I've actually never been to their worship for an extended period of time, so I can't comment wisely on it.

In your actor's heart, you know when you're playing well. Others may not always agree with you, but I'm always aware of when the scene is cooking or not. You have an instinct about that from years of doing scenes and plays, and I think it stands you in good stead even in the TV world.

I mean, so if I've talked to whites in City of Refuge, sometimes they'll wonder, "Why do we do things a certain way, and why do we make a big deal out of events?" And what's happening is they're falling back on their understanding of the way that church should work. It's not always working exactly like that, and they feel frustration or confusion. Sometimes people leave. That's certainly common in mixed churches.

So it may be a language that separates you - again, social networks. But second-generation Asian and Hispanics, second, and third and fourth and so on, they are much more likely to be in integrated churches than are blacks or whites.

It worries me a little bit the reach and power of TV. More people saw me in The Practice than will ever see me in all the stage plays I ever do. Which is sort of humbling. Or troubling. Or both.

There's always that sense of because we're so racially defined, if you're trying to cross the boundaries you don't fit into any particular space.

In part because they had no choice, right? If you were a slave, you did what the master said. And they said to worship: "You're going to worship with us."