They could never go back to being a uniracial congregation again. It brings excitement. It brings life. It allows them to be able to know people they would never know, to meet people that are outside the congregation they would have never connected with, you know, through the networks that they developed in the congregation.

So you find a lot of these sixth Americans congregate in these interracial congregations. They hang out together at work, at school, wherever.

I really do think that every time you play a role well, you are in danger of being identified with that role until the next big thing comes along.

If we go into white congregations, non-whites will sometimes say it felt like worship never started. It was sort of dead and didn't feel that warmly received. But so - and there are different realities either way, and it makes it difficult for all groups to try and cross boundaries.

I see this in the way that sermons are preached. How would you give a Black Nationalist speech or campaign for the Republicans when you're an integrated congregation? It doesn't happen.

We do not have an American culture. We have a white American culture and a black American culture. So when those two groups try to get together, [it's] very difficult because they each feel like they have the right to their culture.

One of the things I like about performing on the stage is that it is a kind of meditative experience. Time does stand still. You have no concept or feeling of the passing of two or three hours' time. It's all kind of one present moment, which is a kind of a description of meditation.