I think that Michael Jackson, just as an entertainer, as a figure who embodies the contradictions of Black identity, and the possibilities of R&B music in the '70s and '80s will continue to be one of the most recognized and formidable human beings that we've ever produced in our tradition.

Bill Cosby is a famous black guy who has a bully pulpit the size of the world; it's global. He puts his colossal foot on the vulnerable necks of poor people, and as a result of that, we don't have a balanced conversation.

We need all the newfangled web-based Internet spread, you know, social media that can catalyze, you know, some serious consciousness about what's going on. But we also need people on the streets pounding the pavement to make a significant and dramatic appearance to suggest that what's going on here is unacceptable.

Even when you don't know, you're supposed to know.

I'm in bed, so to speak, more with those people who consider themselves atheists but who are concerned about the same things, ideas, and politics I'm concerned with than those who claim to be religious in the same way that I am but have no interest in the political reorganization of society, which needs to be talked about from the pulpit.

We have to understand and explain to each other what blackness is.

Tony Morrison said, 'Can't I love what I criticize, criticize what I love.'