I think that Michael Jackson, just as an entertainer, as a figure who embodies the contradictions of Black identity, and the possibilities of R&B music in the '70s and '80s will continue to be one of the most recognized and formidable human beings that we've ever produced in our tradition.

The writer's gift can make us see ourselves and our morals differently than our reality suggests.

If your experiences suggest to you that poor black folk are lazy, then you must be true to those experiences - except, however, as your experiences are pressured by empirical investigation of complex phenomena. I suspect that even when you control for variables of individual laziness, you'll see that what you see before you masses of black poor people unwilling to work hard to get better will not be as simply concluded as you might at first believe. Continue your good work.

Social media itself is not protest. To tweet is not to protest physically. To do a Facebook post, and though it's critical and crucial, is not to show up and embody the anger you feel, to embody the righteous outrage you feel, to embody the concern you feel. This is about putting feet to pavement and to register in the consciousness of America that this is something that's problematic.

The demand for racial (and sexual) justice gets reduced to politics of identity - and excoriating the so-called perpetrators of the identity politics.

We are not all the same; we don't think alike; and we have the right to openly express those differences in ways that, hopefully, will contribute to our community's welfare.

Hip-hop is about the brilliance of pavement poetry.