America certainly has made extraordinary progress. The collective unconscious of the nation has certainly shifted as a result of the civil rights movement and the developments in the '70s and '80s. We have witnessed a great expansion of the black middle class.

I've been a social gospel-er and a person who sees politics as a central dynamic to the encoding of religious rhetoric.

Of course, I could never suggest that only poor people are misogynistic; too many rich folk are just as hateful of women as any poor person might be. I don't know if social problems are only circular; perhaps other geometric metaphors might better describe the triangular effects of social vulnerability, political oppression, and racial disadvantage. I think you're right - we've got to focus on both analyses and solutions. And sometimes, an adequate analysis goes far along in suggesting a suitable solution.

We began to connect literacy and learning and the lively effects of biblical knowledge and preaching pretty early. That was a tremendous impact.

Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.

A lot of the commercial expression of hip-hop leaves a lot to be desired - but then, there's a lot of whack gospel music, but I'm not leading a crusade against it. Of course, the vices of hip-hop are far more influential, I understand. But the good that hip-hop transmits, the power of the culture to rally the best of our protest, and uplift, and resistance, traditions, is often unfairly overlooked.

If you take a guy like a Barack Obama, who's raised millions of dollars from the most donors in the history of this nation, it suggests that there's a deep and profound hunger for a new politics to come forth. And a guy like him has been able to mobilize that and to reach certain parts of the hip-hop generation.