White privilege allows a certain kind of leisure that can be deployed by white people of advantage toward our restoration. That's all true and good. But it also suggests that there is an individual approach to the issues that many of these white people have taken up as a recognition of their tie to and responsibility for some of the inequities that exist. And I don't think it has to be an either-or. I think it has to be a bifocal approach.

What disturbs or assures us about race has very little to do with blood or biology. Race is about how you use language, understand your heritage, interpret your history, identify with your kin, figure out what your meaning and worth to a society that places values on you beyond your control. And it's also about what people see you as - or take you to be.

Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.

Comedy is to force us to observe ourselves in ways that are humorous and yet, at the end of the day, that cause us enough discomfort with the status quo to make a change.

We should all be about the business of finding, discussing and furthering solutions to our problems. But none of that can be done without at first speaking honestly about the problems we confront, with whoever in our ranks will listen and respond.

I grew up in Detroit. I was a teen father. I lived on welfare for three years. I have a brother serving life in prison, though I believe he's innocent.

My empathy for poor people comes from having been one of them for so long, from knowing that their humanity is more complex and that the truths of their suffering have to be told honestly.