Hip-hop is about the brilliance of pavement poetry.

I think it's extremely important to challenge white brothers and sisters and think more systematically and strategically about the whiteness that they possess.

That is an extremely important role: how white brothers and sisters laterally spread knowledge, insight, and challenge in a way that white brothers and sisters will not hear it from a person like me, necessarily.

Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.

The consequences of whiteness are particularly lethal right now. And the ignorance about it, especially on the part of white people themselves, makes them unavoidably complicit in a system that has to be unmasked, unveiled, undressed in order to be reformed or destroyed.

Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.

[The World Series] introduced me for the first time to a team with a lot of black players. Detroit had about three of them: I think it was Willie Horton, Gates Brown, and Earl Wilson - might have been one or two more in '68.