Even when you don't know, you're supposed to know.

We can't exempt ourselves from the same moral calculus that we are willing to apply to others.

Perception, after all, is not simply a matter of what you believe about yourself, it all encompasses what others think about you, and what has been thought of you historically. I say we can pay attention to those other dimensions of our identity - class, gender, sexual orientation, geographical region - while at the same time understanding how our historically produced racial identity continues to serve, or undercut us.

There's a great book about John Kennedy and his relationship to civil rights called 'The Bystander.' The title alone suggests that he did as little as possible, any minimal critical effort, to really facilitate civil rights in the White House.

The heartbeat of your originality is deep within a body of thought that continually wrestles with the contradictions and limitations that we're constantly trying to overcome, the curiosities and the ignorances of the people we seek to help.

A lot of the commercial expression of hip-hop leaves a lot to be desired - but then, there's a lot of whack gospel music, but I'm not leading a crusade against it. Of course, the vices of hip-hop are far more influential, I understand. But the good that hip-hop transmits, the power of the culture to rally the best of our protest, and uplift, and resistance, traditions, is often unfairly overlooked.

[The World Series] introduced me for the first time to a team with a lot of black players. Detroit had about three of them: I think it was Willie Horton, Gates Brown, and Earl Wilson - might have been one or two more in '68.