When I was nine, I asked my Dad, ‘Can I have your movie camera? That old, wind-up 8-millimeter movie camera that’s in your drawer?’ And he goes, ‘Sure, take it.’ And I took it, and I started making movies with it, and I started being as creative as I could, and never once in my life did my parents ever say, ’ What you’re doing is a waste of time.’ Never….. I know there are kids out there that don’t have that support system. So, if you’re out there and you’re listening, listen to me: If you wanna be creative, get out there and do it. It’s not a waste of time.

Adventure is out there, it’s heading our way So grab your scarf and goggles, let’s fly! I’ve mapped out our journey, we’re up here to stay. A sunset is our home. A moonbeam we will own. My Spirit of Adventure is you!

When you present something that you have worked on to somebody else, for some reason that is the moment when you can see everything that you have done wrong. They may or may not agree, but it is more of a personal thing for me. It is that I am looking at it because you are self conscious and suddenly there is someone in the room that is seeing it for the first time.

The core of the film is usually something very emotional and something that feels really real that you can relate to, it's not like done in a false way. You know a lot of films will treat emotion falsely and you can sense that very quickly.

Brad Bird is fond of saying that music is the easiest thing that can derail a film because if it slightly goes a degree off track it will take the viewer in the wrong emotional direction. To work with people who actually care about that is a good thing.

I feel like I have a group of friends, guys could be interchanged with my neighbors from back home. These guys are really close and really tight, and it all stems from 'Wouldn't it be cool if this happened.'

A lot of people have said it to me 'You made me cry.' And it was only because I cried myself when I watched the movie.