Maybe in the future I'll put out someone's one-off project, but generally I don't have time.

When I walk around New York now, there are so many ghosts. I find it very uncomfortable. There were many hard years, and I never really achieved any kind of comfortable financial success, so I just associate it with struggle. When I had a chance to get out, I was elated.

I'm just as comfortable performing solo with just my acoustic guitar and vocal as I am with a band. The main thing for me is that the performance remain rooted in the words and voice, that there be no place to hide.

I never could read Foucault. I find philosophy tedious. All of my knowledge comes from reading novels and some history. I read Being and Nothingness and realized that I remembered absolutely nothing when I finished it. I used to go to the library every day and read every day for eight hours. I’d dropped out of high school and had to teach myself. I read Sartre without any background. I just forced myself and I learned nothing.

The music takes you. It has to be alive. It's like you hammer something, and the way it happens to bleed leads you into new directions.

Maybe in the future I'll put out someone's one-off project, but generally I don't have time.

When I first started doing the quieter, more acoustic material in Swans, there was a lot of derision and outright hatred from the audience and press, just as in the early days of Swans when we were rejected outright because of the bludgeoning, single-minded violence of the music.