The sexuality of children - there's a lot friction there. That tension interests me a lot.

I don't throw my body down on the stage at all anymore because I'm sure I'd snap like a twig.

When I walk around New York now, there are so many ghosts. I find it very uncomfortable. There were many hard years, and I never really achieved any kind of comfortable financial success, so I just associate it with struggle. When I had a chance to get out, I was elated.

I like loud electric guitars because I like how you can just lose your entire being in the sound. But I can't find myself in a situation where our band Swans is doing typical chord progressions - it just seems cliché to me. Even changing chords sounds like a cliché sometimes, though it happens occasionally in our music. But you find ways to push yourself into the sound through repetition. It doesn't stay the same. It morphs constantly.

I'm pretty confident that people are going to come along for the ride. If they don't, tough.

At a certain age, children are total Id - they're anything but beautiful little flowers. That always interests me. The place where the ego and the superego start, and where guilt and socialization and morality takes place, the true root of it.

I really wanted to get to the animal core of rock music and eliminate anything that wasn't necessary.