I like loud electric guitars because I like how you can just lose your entire being in the sound. But I can't find myself in a situation where our band Swans is doing typical chord progressions - it just seems cliché to me. Even changing chords sounds like a cliché sometimes, though it happens occasionally in our music. But you find ways to push yourself into the sound through repetition. It doesn't stay the same. It morphs constantly.

When I drink a Glass of water, it's thick and crawling with life. My mouth leads to the interior of my body - a caldron of disease, germs, and perversions of biology. I don't exist individually. I'm made of millions of living creatures, eating each other, decomposing, eating each other.

The goal is ecstasy, but I don't want to make some sort of saccharine pop music. I want to make something that's completely uncompromising: the best possible music ever made.

I like loud electric guitars because I like how you can just lose your entire being in the sound.

Nina Simone was an entertainer. Bob Dylan was an entertainer. Anyone that can occupy a piece of music and make the air catch on fire at that moment is a true entertainer. That's how I view it. That's what I was meant to do. I love doing it. That's why I'm on earth.

When I first started doing the quieter, more acoustic material in Swans, there was a lot of derision and outright hatred from the audience and press, just as in the early days of Swans when we were rejected outright because of the bludgeoning, single-minded violence of the music.

I really wanted to get to the animal core of rock music and eliminate anything that wasn't necessary.