I had to first convince them [prostitutes] that I wasn't a journalist who would yet again put out a notion about them they wouldn't necessarily care for or who would victimize them. You know, journalists come and go. If they come twice, it's a lot. But I come 10 times and hang out with them and share stuff. If you connect with someone just once, that's something. But if you can connect twice, that's something else.

If you're a prostitute, this is your day: You party, you have customers until four or six in the morning, then you sleep. You wake at noon, watch soaps on TV, take two or three hours to fancy up yourself, and then you start waiting for customers. That's your life. And some days no customers come. There's no party. There's nothing. You sit there and wait. If you're educated you can read books, but in Bangladesh and most other places you watch TV or listen to music or cook.

In Bangladesh a prostitute normally wouldn't even undress for a man. He pays, she pulls up her sari, and he's done in 20 seconds.

If you connect with someone just once, that's something. But if you can connect twice, that's something else.

Whenever a man enters the realm of prostitutes he's always regarded as a possible customer. If you enter as a woman, you're regarded as somebody who could be in the same place. Being a man brings the perspective of flirtation.

I had to first convince them [prostitutes] that I wasn't a journalist who would yet again put out a notion about them they wouldn't necessarily care for or who would victimize them. You know, journalists come and go. If they come twice, it's a lot. But I come 10 times and hang out with them and share stuff. If you connect with someone just once, that's something. But if you can connect twice, that's something else.

Sometimes the presence of a camera is like opening a door, because many people want what Andy Warhol called "15 minutes of fame." But prostitutes don't want that.