Sometimes the presence of a camera is like opening a door, because many people want what Andy Warhol called "15 minutes of fame." But prostitutes don't want that.
Michael GlawoggerA young man in Bangladesh can't even hold hands with a young woman. Without marriage there is no kissing, no holding hands, no going anywhere. So young boys can only go to the brothels for sex before marriage.
Michael GlawoggerWhenever a man enters the realm of prostitutes he's always regarded as a possible customer. If you enter as a woman, you're regarded as somebody who could be in the same place. Being a man brings the perspective of flirtation.
Michael GlawoggerLa Zona is such a closed area, a dangerous, outlaw area. My time in the Zona was a time outside of society, almost out of the real world. And the girls there had such a sense of irony and sarcasm. They were also really interested in my film. They'd be like, "Thank God we live in Mexico, because our kind of prostitution has a heart. We wouldn't want to sit behind a glass cage or be sold by our own mothers. We have free will."
Michael GlawoggerOn one hand, prostitutes don't struggle because it's simply their life. In Mexico and elsewhere, once they get out of these places [brothels] they have a pretty square life. In Bangladesh it's different because they live in the brothel, it's sort of a prison, but still there are two sides. When they think of their religion and their upbringing, they can be very moralistic. They're moralistic about giving blow jobs. On the other hand, they have an everyday life where there's no room for shame.
Michael GlawoggerI had to first convince them [prostitutes] that I wasn't a journalist who would yet again put out a notion about them they wouldn't necessarily care for or who would victimize them. You know, journalists come and go. If they come twice, it's a lot. But I come 10 times and hang out with them and share stuff. If you connect with someone just once, that's something. But if you can connect twice, that's something else.
Michael Glawogger