If you connect with someone just once, that's something. But if you can connect twice, that's something else.

I had to first convince them [prostitutes] that I wasn't a journalist who would yet again put out a notion about them they wouldn't necessarily care for or who would victimize them. You know, journalists come and go. If they come twice, it's a lot. But I come 10 times and hang out with them and share stuff. If you connect with someone just once, that's something. But if you can connect twice, that's something else.

Mostly I take photographs in times of research. Whores' Glory was shot in 30 days, 10 days for each segment, but the research for each part lasted a couple of months.

It's interesting because the Thai king says there's no prostitution in Thailand, it doesn't exist, so the prostitutes don't pay taxes. They can work other jobs if they want and put away money, maybe leave when they're 40.

A young man in Bangladesh can't even hold hands with a young woman. Without marriage there is no kissing, no holding hands, no going anywhere. So young boys can only go to the brothels for sex before marriage.

I've made many documentaries, but prostitution was the hardest in terms of gaining the trust of the people being filmed.

If you're a prostitute, this is your day: You party, you have customers until four or six in the morning, then you sleep. You wake at noon, watch soaps on TV, take two or three hours to fancy up yourself, and then you start waiting for customers. That's your life. And some days no customers come. There's no party. There's nothing. You sit there and wait. If you're educated you can read books, but in Bangladesh and most other places you watch TV or listen to music or cook.