To be perfectly honest, I think that as I'm growing older, I'm just growing more impatient. I'll be very happy if at some point people say, 'Michael's grown wiser and softer in his old age.' But we'll have to wait and see what my next project is.

On the set I make jokes I can't get too involved, or it turns into sentimental soup. I try to keep it light.

The smaller and younger kids are, the more patient you have to be. But if they're gifted, then it's a wonderful present that you're given by having a child like that in your film... more so than in the case of actors because, for example, if you ask them to play a lion, they don't then play a lion, they actually are a lion. So, a gifted child is something very special. On the other hand, if a child has no gifts in that way it's absolutely hopeless and there's nothing you can do!

My mother as a young girl went out with a young SS officer and she didn't really know what was going on - she just liked the uniform. When he told her about the things that he did, she was disgusted and broke up with him.

To decide to film a movie again shot by shot, you must be masochistic to a certain degree because it is a much greater challenge.

The difficulty, then, is when you create a church, an institution, and you create a dogma. When you create an ideology, that's the danger. Communism, too, is a beautiful idea, but millions of people died when communism became an ideology.

Like every filmmaker, I make my films to reach the widest audience possible.