I think people hate me pretty much across the board, which is nice.

Any time I am involved in something from conception to execution, that's obviously a lot more personal, and I'm going to be more invested in it than something where I just show up for a couple days, shoot, and leave.

My goal is to work. That's the goal of most actors or performers: to work and keep working, and do the best you can, and keep growing and changing, trying to improve your craft.

It's such a deliberate thing to sit down and write a tweet. You're putting yourself out there in a very deliberate way, and over however many tweets, you start to create a character for yourself.

I'm trying to teach my children not to cry. That's the big thing. No crying. Because I think we can all agree that crying is, for the most part, for sissies. If my team loses, I'm going to cry. And I'm going to want my kids to see me crying. Not because I think sports are so important, but because I bet so much money on the game that we'll probably lose the house if my team doesn't win. That's something to cry about.

You can't write a children's book that takes more than five or six minutes to read, because it will drive the parents batty. It has to be compact. Nobody thinks about the parents when they write these stupid books. I could write longer children's books, but it would actually be bad if I did.

Twitter is about creating whatever persona you want to create and either sticking with it or changing it or evolving it or contradicting it, and I've done all that stuff.