Women are much more comfortable making their own style rules now. They want pieces that will make their busy lives easier.

China is exciting because it is an extremely curious and interested market. What more can a designer ask for? The client here is bold and willing to try new things, which a country with a long fashion history wouldn't dare. France or England is weighed down by all these rules, elaborate etiquette, do's and don'ts. Things here move incredibly quickly.

I can sketch up a storm, and I'm very involved in how clothes are constructed, but I have a short attention span.

I don't even think of going to Europe as going to another country now.

You need to be curious one way or another as a designer. Your eye has to stay curious. I look at people and think about how they live. I think about bodies.

I grew up surrounded by these tough, ballsy, strong women. They were also adoring women, but they were the kind of women who would argue over what kind of pants you were wearing or the color of your nail polish.

I love fashion because it's plugged into the zeitgeist, so it's always changing. Thirty years ago, I could never have predicted I'd be where I am today, so I know I don't know what's going to happen in the next five years or the next 20 years. I have my predictions—I'm sure technology will continue to have an impact on fashion, particularly the way people shop. I think quality will be increasingly important—we're moving away from a time of fast fashion. But really, the only constant in fashion is that you must keep moving forward, otherwise you'll be left behind.