Michael Kors Quotes

Put on a trench, you're suddenly Audrey Hepburn walking along the Seine.

People always think that designers hate each other. And we're certainly a competitive lot, but we also enjoy each other's company. No one else knows what you're going through other than another designer.

Every woman should own a shirtdress

I think the trick is, how do you spend time doing it but make it look like you haven't spent time doing it? Over the years you look at women like Lauren Hutton and everyone says: 'She just pulled her hair back and ran out of the door.' I've been in fittings with Lauren and she definitely thinks about it. She just knows how to make it look easy.

Clothes are like a good meal, a good movie, great pieces of music.

If you want to have longevity, then I think that you have to have a point of view, but at the same time still be elastic. Things evolve, the world changes, but people have to know you for who you are so they know what you stand for.

When I was a kid, I was trendier. I'd wear anything. I was in love beads and platforms...

The biggest lesson that I've learned is that fashion is this tightrope where you have to be consistent but inconsistent. You need the connective thread but at the same time you need a sense of surprise.

When I'm not working I'm a slug - a full slug. I am not good at the in-between. I'm either fever-pitched or want to just pass out on a beach with a really sleazy book and eat a cheeseburger.

Learn to invest in the best quality you can afford and wear pieces in different ways.

The best design teams are not people who are exactly the same...otherwise you're just sitting and telling, 'You're fabulous.' 'No, you're fabulous.'

I think the older I get, the more I realize that the ultimate luxury is time.

Give me Caviar Kaspia and give me a hamburger. I love the two extremes.

Fashion is like food! Some people like sushi, others think hamburgers are divine! People like different things!

I think to be empathetic is the greatest gift you can have as a designer. Hopefully, people will look at me and say, 'He really loved women.'

Because of what's going on with the economy, I think women are realizing that maybe they don't need a closet full of clothes. They just need the right clothes.

Women are much more comfortable making their own style rules now. They want pieces that will make their busy lives easier.

For me, true luxury can be caviar or a day with no meetings, no appointments and no schedule.

I can't dance and I can't sing too well.

People want to look taller and thinner. No one says, 'Ooh! Let me buy that dress because it makes me feel matronly!'

I love fashion because it's plugged into the zeitgeist, so it's always changing. Thirty years ago, I could never have predicted I'd be where I am today, so I know I don't know what's going to happen in the next five years or the next 20 years. I have my predictions—I'm sure technology will continue to have an impact on fashion, particularly the way people shop. I think quality will be increasingly important—we're moving away from a time of fast fashion. But really, the only constant in fashion is that you must keep moving forward, otherwise you'll be left behind.

You make sexiness strong by balancing it out: something familiar with something unfamiliar, something masculine with something feminine, something streamlined with something rococo. It's a Yin and Yang. Women are made of layers, your mood shifts, no one is neither one extreme nor the other.

Seventy per cent of the clothes you own should be meat and potatoes. Thirty per cent should be icing and fluff - that's colour, pattern, shine, accessories. Too many women get the proportions the other way round, then can't figure out why they can't get dressed.

Ultimately, clean lines have greater longevity, which women appreciate, and to which they can add their own personality

My mom was a model. She had me at 20, so she was a young mother.

The greenest thing you could do in fashion, is to buy something great that you’re going to use for years

It's funny when I hear people complain - particularly about the most fabulous parts of being a designer, like when you're getting ready to work on a show. I don't even know that I'm tired. I could stay up for six days straight! No drugs, no coffee, no nothing. I'm just so excited.

I wasn't Barbie-obsessed. I think my mother might have been my Barbie.

I think a lot of women have too many mini skirts in their closets.

North Americans as a whole need to embrace having clothes altered to their body. I hear it all the time: why do the Europeans always look so good? They have a relationship with their tailor and spend the time and money to make their clothes look their best.

I think quality will be increasingly important-we're moving away from a time of fast fashion. But really, the only constant in fashion is that you must keep moving forward, otherwise you'll be left behind.

Let's be honest - look what Hollywood at 18 is.

I hate the idea that you have to give up anything. I think you can be powerful and still be provocative, you can be smart and have a softness, you can have all of it.

It's an unbelievably tight race for hideous today.

I grew up in a family of people who were obsessed with fashion.

I don't even think of going to Europe as going to another country now.

You need to be curious one way or another as a designer. Your eye has to stay curious. I look at people and think about how they live. I think about bodies.

The minute it gets to a runway, you're tempted to do some high jinks. I don't want to show something I won't produce. I want people to wear the clothes I show.

I can sketch up a storm, and I'm very involved in how clothes are constructed, but I have a short attention span.

Great style means having a point of view, but evolving your look is even more important. Rushing to embrace every trend will leave you fashionable, but not stylish

A man in a well tailored suit will always shine brighter than a guy in an off-the-rack suit.

I grew up surrounded by these tough, ballsy, strong women. They were also adoring women, but they were the kind of women who would argue over what kind of pants you were wearing or the color of your nail polish.

American women often fall into the trap of, "Oh, these are my weekend clothes. These are my work clothes. This is what I wear at night." It's so old-fashioned. The French are not afraid of their luxury. Americans can be so puritanical and think, "That's my special-occasion bag." Whereas, for a French woman, it's her everyday bag.

In early days, I showed everything I made. There was no such thing as editing a collection. In the '80s, it got to the point where we'd have shows with a hundred looks. You'd want to order a pizza before it was over!

I've always thought of accessories as the exclamation point of a woman's outfit.

My legacy would be that you don't have to give up anything. You can be chic but have a sense of humor, you can be sexy but comfortable, you can be timeless but fresh.

Americans are always a little bit insecure.

The craziest thing about fashion people in general, not just designers, is that it's always, "Oh my God, you lost weight! I love your hair!" Or "Oh, you're so tan!" Or, "You're so skinny! I love your shoes!" These are fashion icebreakers. Everyone's always looking at each other.