I mean these are universal themes. I try not to preach, for sure. I don't enjoy movies that preach - so I don't want to preach myself when I tell stories because I just feel all of these themes are built into us in terms of redemption and mercy and love and compassion and all these things. And the negative sides, as well.

Well, part of it is the general fascination with the Amish. It's an extremely popular genre and Beverly Lewis just happens to have the market cornered. She is the bestselling author in this genre. We had actually optioned another one of her Amish books, The Redemption of Sarah Cain. We retitled it Saving Sarah Cain and it did extremely well for Lifetime so we pursued more of her novels.

I see everything visually. It's very visual for me. And so I think, from a plotting standpoint or what have you, there's obviously a certain amount of internal thinking that goes on in a novel (that) you can't do...in a screenplay. But I think, pacing wise, my novels move quickly because (they aren't overly) descriptive.

I mean these are universal themes. I try not to preach, for sure. I don't enjoy movies that preach - so I don't want to preach myself when I tell stories because I just feel all of these themes are built into us in terms of redemption and mercy and love and compassion and all these things. And the negative sides, as well.

You know, to me, that's going to influence the culture. They both influence each other - I know that - but, you know, there's no two ways about it. When you're just immersed in kind of this dark, edgy constant flow of entertainment, there's no way it can't affect you. There's just no way.

And I don't mean that the storytelling that's out there shouldn't be happening. I just feel like that there's this huge imbalance with it all. Where are the shows that allow the entire family to sit down and enjoy something together?

Well, I kind of approach both of them similarly in (that) I always see it as a movie first because that's my background. Cindy Kelley, who has been my writing partner on my novels, she works more on the prose side and the description side of the storytelling because, obviously, there's a lot more of that in a novel than in a screenplay. You only have up to 120 pages in a screenplay.