For me, I want to tell stories that will affect my children in a positive way, that they can be proud of me for working on and doing. I want to be alight in the world. There's enough darkness.

I think I was respectful to my father in that I only told the portions that he had already told. So, I never went outside of the things that he had already stated in his article because then I think it becomes unfair.

I see everything visually. It's very visual for me. And so I think, from a plotting standpoint or what have you, there's obviously a certain amount of internal thinking that goes on in a novel (that) you can't do...in a screenplay. But I think, pacing wise, my novels move quickly because (they aren't overly) descriptive.

For me, I want to tell stories that will affect my children in a positive way, that they can be proud of me for working on and doing. I want to be alight in the world. There's enough darkness.

Entertainment and art have power. Our culture is molded more so by entertainment than any other influence.

Well, I kind of approach both of them similarly in (that) I always see it as a movie first because that's my background. Cindy Kelley, who has been my writing partner on my novels, she works more on the prose side and the description side of the storytelling because, obviously, there's a lot more of that in a novel than in a screenplay. You only have up to 120 pages in a screenplay.

We're all being segregated or sent to our different rooms to watch television that's geared only for adults, to be honest. There's very little fare - outside of cartoons and a few things for children (and) I guess (some reality shows like) The Voice - that can be watched by the entire family.