You know, to me, that's going to influence the culture. They both influence each other - I know that - but, you know, there's no two ways about it. When you're just immersed in kind of this dark, edgy constant flow of entertainment, there's no way it can't affect you. There's just no way.
Michael Landon, Jr.Usually it's just material that resonates with me and I never know exactly what that's gonna be. And there's obviously a certain persuasion, if you will. It's dependent upon the fact that I'm known for certain genres. So, that influences my decision making as well. I mean I'd love to, for example, do an action thriller but there are a lot of very talented people doing that and so it would be very difficult for me to switch over to that genre. So, I do look for things that I know (will resonate with) my audience.
Michael Landon, Jr.You know, to me, that's going to influence the culture. They both influence each other - I know that - but, you know, there's no two ways about it. When you're just immersed in kind of this dark, edgy constant flow of entertainment, there's no way it can't affect you. There's just no way.
Michael Landon, Jr.And I don't mean that the storytelling that's out there shouldn't be happening. I just feel like that there's this huge imbalance with it all. Where are the shows that allow the entire family to sit down and enjoy something together?
Michael Landon, Jr.For me, I want to tell stories that will affect my children in a positive way, that they can be proud of me for working on and doing. I want to be alight in the world. There's enough darkness.
Michael Landon, Jr.I just gravitated toward (working behind the scenes by) growing up on the different sets and watching my father and other people in their different capacities...When I was 13 years old, I asked for a Super 8 camera.
Michael Landon, Jr.Well, I kind of approach both of them similarly in (that) I always see it as a movie first because that's my background. Cindy Kelley, who has been my writing partner on my novels, she works more on the prose side and the description side of the storytelling because, obviously, there's a lot more of that in a novel than in a screenplay. You only have up to 120 pages in a screenplay.
Michael Landon, Jr.